$30-80.© Copyright 2022 - Utah Cultural Alliance. (Carpenter Performing Arts Center, campus of California State University in Long Beach. When you add in the superb supporting cast featuring Dan Callaway and Sarah Bermudez as the star-crossed young lovers, Jim Holdridge as the slow but not dumb Toby, Michelle Duffy as the tragic Beggar Woman, as well as Richard Gould, Roland Rusinek and Alan M-L Wager as the real villains of the melodrama, you have a SWEENEY TODD for the ages. And her heartbreak is palpable when she realizes she must have her adopted son killed because he has discovered the awful secret she’s been hiding. #Sweeney todd musical pittsburgh how toShe’s an intrepid entrepreneur, quick with an idea of how to economically dispose of the bodies Sweeney’s razor has sliced through as well as make a tidy profit. More than 50 actors, set designers, technicians, and others are in rehearsals for one of the most ambitious plays ever presented by Pitt Repertory TheatreStephen Sondheim’s adaptation of the macabre musical thriller Sweeney Todd: The Demon Barber of Fleet Street. She’s a mooning love-struck girl hopelessly in love with Todd, eager for any crumb of his attention. Pitt’s Charity Randall Theatre is abuzz with activity this fall. But here her Nellie plumbs the depths of richness in this character. Prutsman has always been a mistress of comic timing, eliciting laughs where no one got them before. The real revelation of this production is the multi-layered performance of Debbie Prutsman as his henchwoman Mrs. But Large leavens the darkness with a bit of sly, dry humor. He is never not frightening, but there is still some small piece of humanity beating away in his black heart. Norman Large towers over the stage as the brooding, vengeful, blood-thirsty barber done wrong. Jean Yves-Tessier’s lighting is bloody good work also. Julie Ferrin’s exemplary Sound Design is a key ingredient in making sure every nuance of lyric is clearly heard. The 22-piece orchestra under the direction of John Glaudini and the large chorus of angelic voices make the music soar and induce goosebumps before Sweeney makes his first terrifying slice. Not a wrong note is sounded under the taut, immaculate and tension-filled direction of Calvin Remsberg. Long Beach’s Musical Theatre West is the latest to revive this modern opera and it just may be the finest production in the group’s 57 year history. This writer saw the original Broadway production with Len Cariou, Angela Lansbury and Victor Garber and countless productions in the three decades since then everywhere from a tent on the lawn of a mansion in Pittsburgh, Pennsylvania to outdoor theaters in Solvang and Vista, California. The original Broadway production won a bunch of Tony and other awards and the show is considered a masterpiece by the composer of other acknowledged stellar creations such as COMPANY, FOLLIES, A LITTLE NIGHT MUSIC, PACIFIC OVERTURES, PASSION etc. It has been over 30 years since SWEENEY TODD first swung his razor high to the music and lyrics of Stephen Sondheim.
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